epistolary correspondence
71The Necromancer; or, The Tale of the Black Forest —   Author(s) Ludwig Flammenberg (pesudonym of Carl Friedrich Kahlert) …
72Frankenstein — This article is about the novel. For the characters, see Victor Frankenstein or Frankenstein s monster. For other uses, see Frankenstein (disambiguation). Frankenstein; or, The Modern Prometheus …
73Lettres D'une Péruvienne — Lettres d’une Péruvienne Première page Auteur Françoise de Graffigny Genre Roman épistolaire Pays d origine …
74Lettres d'une Peruvienne — Lettres d une Péruvienne Lettres d’une Péruvienne Première page Auteur Françoise de Graffigny Genre Roman épistolaire Pays d origine …
75Lettres d'une Péruvienne — Lettres d’une Péruvienne Première page Auteur Françoise de Graffigny Genre Roman épistolaire …
76Lettres d'une péruvienne — Lettres d’une Péruvienne Première page Auteur Françoise de Graffigny Genre Roman épistolaire Pays d origine …
77Epistle (in Scripture) — • The Old Testament exhibits two periods in its idea of an epistle: first, it presents the epistle under the general concept of a book or a writing; secondly, it regards the epistle as a distinct literary form. The New Testament presents a very… …
78Formularies — • Medieval collections of models for the execution of documents (acta), public or private; a space being left for the insertion of names, dates, and circumstances peculiar to each case Catholic Encyclopedia. Kevin Knight. 2006. Formularies …
79Burman, Carina — (1960 ) A Swedish literary scholar and novelist, Burman is a skilful practitioner of the pastiche, and her work appeals strongly to an audience that shares some of her historical knowledge. Educated at Uppsala University, where she studied… …
Historical Dictionary of Scandinavian Literature and Theater
80Burroughs, William Seward — (1914–1997) William S. Burroughs has been absolutely central to the history of Beat literature, and yet his position within the Beat Generation was paradoxical from the outset and has been revised significantly over time. In relation to… …
