ṡṛiṅgāra
61sa-ṡṛiṅgāra — सशृङ्गार …
62ṡauryau͡darya-ṡṛiṅgāra-maya — शौर्यौदर्यशृङ्गारमय …
63su-ṡṛiṅgāra — सुशृङ्गार …
64sundara-ṡṛiṅgāra — सुन्दरशृङ्गार …
65Mani Madhava Cakyar — Sringāra rasābhinaya (Sattvikabhinaya) par Gurû Mâni Mâdhava Châkyâr Gurû Mani Madhava Cakyar (Mâni Mâdhava Châkyâr, Sanskrit:मािण माधव चाक्यार्, Malayalam:മാണി മാധവ ചാക്യാര്) (15 février 1899 14 janvier  …
66Bharata Natyam — Indian dancer portraying a characteristic Nataraja pose Bharata Natyam or Chadhir Attam(Tamil: பரதநாட்டியம்), is a classical dance form from the South Indian state of Tamil Nadu, practiced predominantly in modern times by women. The dance is… …
67Indian aesthetics — Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Contents 1 Rasa theory 1.1 Introduction 1.2 Experience of rasa (rasAnubhava) …
68Bhakti — …
69Tirupati Venkata Kavulu — refers to the Telugu poet duo Divakarla Tirupati Sastry (1872 ndash;1919) and Chellapilla Venkata Sastry (1870 ndash;1950). This twin poets are acclaimed as harbingers of modern poetry in Telugu. [cite web last = Various first = authorlink =… …
70Kshetrayya — (17th Century A.D) born Varadayya, was a prolific Telugu poet and composer who wrote with Sringara as a main theme in expressing Madhurabhakti (devotion to the supreme). Sringara is a motif where the mundane sexual relationship between a man and… …
